We present and discuss the first issue, A Brief Visual History in the Time of ISIS, which includes over 40 images from the Magnum archive, exploring the history and effects of the fall-out from ISIS and their actions over the recent past.
Award-winning photographer Nish Nalbandian presents his second body of work “A Handful of Dust” humanistic portraits of Syrians in Turkey
The escalating humanitarian crisis in the suburbs of Damascus due to the Syrian civil war was the subject of discussion at the Frontline Club on Tuesday 13th March. The area of East Ghouta is said to be one of the last strongholds of resistance by Syrian opposition forces and as such the target of renewed […]
With IS’s foothold removed from most of the country, and US Coalition-supported Kurdish forces tied up in a conflict against the Turkish army and its sponsored militias in the north-west Afrin region, it seems that the forces of President Bashar al-Assad and their Russian and Iranian backers are now concentrating on eradicating the last pockets of resistance by Syrian opposition forces.
Rania Abouzeid will be discussing her new book No Turning Back: Life, Loss and Hope in wartime Syria with journalist Lyse Doucet.
Modern warfare is taking conflict back into the cities, with disastrous effects on civilian populations. Our panel share their experiences of city warfare across the Middle East and Europe.
Join our panel to discuss how Anglo-American mainstream media is consistently mis-understanding Muslims and the Arab world in its reporting. The discussion will look into how the UK and US must do more to recognise the diversity between nations in the Middle East.
With the independence referendum of Iraqi Kurdistan set for 25th September 2017, The Frontline Club will be hosting a film screening night along with a Q&A with the makers of the film to discuss the possible outcomes.
‘Goodbye Aleppo’ is a documentary about a team of four young citizen journalists who film themselves and each other as the battle for Aleppo rages around them in December 2016. They show us what daily life is like in the last days of East Aleppo, as the Syrian Army, the Russian and Iran armies, and Iran-backed militias gradually take the city from opposition fighters.
Talking via Skype, Nujeen remembered her hometown, Aleppo: “quietness … the citadel .. summer nights…everything…”
The film, first released in May this year, follows four years in the parallel political lives of Jawhara Ettis and Emna Ben Jemaa – two women at the centre of Tunisia’s radical turn to democracy during the 2011 Arab Spring.
This screening will be followed by a Q&A with director Andreas Møl Dalsgaard.
Through observational and at times humorous footage of everyday life, The War Show exposes what it is like to be a creative, ambitious young woman living amidst one of the most destructive conflicts of our time. This unprecedented documentary offers a rarely-seen image of youth culture in Syria, following the experiences of a DJ and her friends following Arab Spring of 2011, when the sad realities that follow envelop their hope for liberation.
Acclaimed journalist Christina Lamb joins as she shares the powerful story of Nujeen Mustafa, a teenager who travelled 3,500 miles from Syria to Germany in a wheelchair. With her quirky observations on the world, Nujeen illustrates the people behind the numbers crossing Europe on a journey that Lamb has followed in person. Unable to be present in person, Nujeen will be joining the discussion over Skype.
This screening will be followed by a discussion with director Orlando von Einsiedel, producer Joanna Natasegara and others.
As daily airstrikes pound civilian targets in Syria, a group of indomitable first responders risk their lives to rescue victims from the rubble. The White Helmets introduces us to those extraordinary individuals, presenting an arresting and humanising look at one of the most urgent humanitarian crises of our time.
In the absence of legitimate methods of travelling to safer lands, smugglers enjoy a booming trade with a huge supply of refugees willing to pay to escape their home country. Elinor Raikes discussed the irony of a system that refuses entry actually increases risk: “you’re pushing people into these illegal, uncontrolled, unmanaged routes, and actually it’s worse for our security.”
Although the ideology is little understood, salafi-jihadism has played a profound role in shaping global politics in recent years. With the unprecedented territorial gains and political rise of groups such as Al-Qaeda and Daesh, islamist extremism has become the most significant socio-religious force of our time. Join us to discuss the origins and evolution of the ideas behind salafi-jihadism, as well as its primary aims and growing prominence in recent years.
From Northern Ireland to Vietnam, the Falklands to Syria, the photographs taken by Don McCullin have come to define some of the most pivotal events of the past 70 years.
As he publishes Irreconcilable Truths, a definitive retrospective of his life and work, he will be joining us in conversation with Channel 4 News presenter Jon Snow, to reveal the stories behind some of the most iconic images of the second half of the 21st century.
Harriet Agerholm sat down with The Guardian‘s migration correspondent and author Patrick Kingsley to discuss his latest book, The New Odyssey: The Story of Europe’s Refugee Crisis.
Filmed and edited by Adam Barr.
“I felt like [the whole of] Syria was on a dinghy. And we were not welcome.” – Hassan Akkad Heated discussion on the issue of Europe’s crisis in handling the arrival of refugees took place at the Frontline Club on Wednesday 4 May.
From the rise of anti-Western paranoia and imperialist rhetoric to the intervention in Syria and the annexation of Crimea, a distinct theory of Russian national identity based on ethnicity and geography, Eurasianism, has moved from the fringes of political discourse to become official state policy.
Living and working in Aleppo, Erhaim captured the everyday difficulties – the maddening and the mundane – of surviving in a warzone. Shooting the films over the course of 18 months, Syria’s Rebellious Women documents the extraordinary lives of the citizen journalists who bear witness to the horrors taking place in their homeland.
Sectarian divides increasingly fuel conflict across the diverse countries of the Middle East, spilling over borders and contributing to ongoing violence in Syria, Iraq, Yemen and elsewhere. Yet in the nineteenth century the region was considerably more tolerant than Western Europe at the time; a high degree of religious pluralism and self-determination were permitted across the Ottoman Empire’s wide-reaching territories. We will be joined by The Economist‘s Jerusalem correspondent Nicolas Pelham and others to discuss the roots of sectarian violence – as well as hopes for recovery from conflict and a return to plurality.
Heenali Patel sat down with artist and journalist Molly Crabapple to discuss ‘Scenes from the Syrian War’, her collection of illustrations made in collaboration with Syrian writer Marwan Hisham. Using photos sent via cell phone, Molly recreated rare glimpses of daily life in ISIS-occupied areas of Syria. Filmed by Adam Barr.
We live in an age of frenetic journalism. When the internet can deliver any snapshot of the world to us at the press of a button, it is easy to forget that there are some places the camera cannot go.
The civil war in Syria is never far from our front pages and minds, particularly with the continual images and stories of refugees dominating the media and political agenda. It is a story we all think we are familiar with.
Join us for a discussion with IWPR’s Syria coordinator and award-winning Syrian journalist Zaina Erhaim. This event will feature a screening of Zaina’s short films from the series Syria’s Rebellious Women, offering a rare insight into the challenges facing women living and working in rebel-held parts of Syria.
Acclaimed journalist and artist Molly Crabapple has drawn and reported on stories from Guantanamo Bay, Syria, the West Bank, Iraqi Kurdistan and across the United States. With her powerful illustrations she has pushed the boundaries of visual reportage – and established an important place for art in hard news. On the release of her memoir Drawing Blood, she will be joining us to reflect on recent work and to share her personal insight into the use of art as a tool for better understanding and documenting current events.
A full house convened at the Frontline Club on Wednesday 17 February for an audience with journalist Janine di Giovanni to mark the launch of her new book, The Morning They Came For Us: Dispatches from Syria. Di Giovanni, who first travelled to Syria in 2012, was joined by BBC HARDtalk presenter Stephen Sackur to discuss […]
By May Bulman Belgian journalist Rudi Vranckx joined an audience at the Frontline Club on Monday 1 February 2016 to discuss his documentary My Jihad, in which he explores how a small Belgian community is confronting extremism.
This screening will be followed by a Q&A with director Mani Benchelah.
Over the course of a year, Emmy Award-winning director Mani Benchelah made this intimate portrait of Syrian refugee children forced to flee from the violence of civil war to neighbouring Lebanon. It tells the stories of the children’s lives in their own words and captures the moving truth of how they deal with loss, hardship and dashed hopes.