The Frontline Club will be screening a new BBC documentary, Stacey Dooley – Face to Face with ISIS followed by a Q&A with Stacey and director Joshua Baker.
Filmmaker Bryan Fogel sets out on a mission to learn about performance-enhancing drugs in sports. What he ends up discovering is far bigger than anyone could have even imagined.
The Ransom dives into the secret system of Kidnap & Ransom, designed by major insurance companies in response to the 30,000 kidnappings committed every year around the world.
The Frontline Club in partnership with the Foreign Press Association of Greece will be screening MOSUL, by Olivier Sarbil and James Jones followed by a Q&A with Olivier and James at the Romantso in Athens.
Fiction filmmakers acknowledge that at least half the meaning of a scene, and often more, comes from the soundtrack. But the documentary soundtrack is often ignored, left as a technical aspect of post-production or caught up in debates about the differences between different styles of documentary production – observational, single-shooter, personal essay, reality, current affairs, and so on. So clearly there is a feeling that sound for something that has its basis in real life events must be different than that for fiction filmmaking. So, how should the documentary filmmaker work with sound?
This one day course is for anyone, from complete beginners to experienced producers, who have a documentary idea but don’t know how to move it forwards, develop it and get it made. During the day we break down the development process, working through what’s needed to create a compelling pitch, then a fully rounded proposal, a treatment, shooting schedule, budget and sizzle teaser.
Letters from Baghdad is the story of a true original — Gertrude Bell — sometimes called the “female Lawrence of Arabia”. Voiced and executive produced by Academy award winning actor Tilda Swinton, the film tells the dramatic story of this British spy, explorer and political powerhouse. Bell traveled widely in Arabia before being recruited by British military intelligence during WWI to help draw the borders of Iraq. This unforgettable documentary takes unique look at both a remarkable woman and the tangled history of Iraq, while transporting us into a past that is eerily current.
For the first time, cameras go inside a police station run by and for women, revealing a unique perspective on what’s really going on in Indian society. This surprising documentary follows Parmila and her special team of scooter-mounted female officers who are focused on preventing the harassment of women.
Got a documentary idea but not sure how to: move it forwards, get some interest, get it funded, commissioned and broadcast? This one day course is for anyone, from complete beginners to experienced producers, who have a documentary idea but don’t know how to move it forwards, develop it and get it made. This workshop applies to online documentaries, broadcast TV documentaries and one-off theatrical release documentaries. During the day we break down the development process, working through what’s needed to create a compelling pitch, then a fully rounded proposal, a treatment, shooting schedule, budget and sizzle teaser.
This special two-part series explores the interwoven history of the European project and the far right in postwar Europe – both East and West. Beginning with the establishment of the European Coal and Steel Community from the ashes of World War II, we chart the trajectory of European integration, in tandem with the story of the European far right, recounting the series of shifts that have led to today’s critical juncture: a post-Brexit EU and a stark rise in support for far right parties across Europe.
Independent journalists like Amy Goodman, Glenn Greenwald, Jeremy Scahill, and Matt Taibbi are changing the face of journalism, providing investigative, adversarial alternatives to mainstream, corporate news outlets. All Governments Lie follows them as they expose government and corporate deception – just as the groundbreaking independent journalist I.F. Stone did decades ago.
The film, first released in May this year, follows four years in the parallel political lives of Jawhara Ettis and Emna Ben Jemaa – two women at the centre of Tunisia’s radical turn to democracy during the 2011 Arab Spring.
For the first of our industry parties of the year, we’re giving photographers a chance to practice their pitching skills while receiving valuable feedback from online editors, curators and publishers. This night is a great opportunity for photographers to determine which outlet is best suited for bringing their project to a wide audience. Photographers who would like to present work in a 7 minute pitch should sign up to receive a time slot and all presenters will be listed online ahead of the event. Industry professionals will be present at tables respective to the platforms of their expertise, and everyone is encouraged to visit across these groups to have a chat and a drink.
This screening will be followed by a Q&A with director Andreas Møl Dalsgaard.
Through observational and at times humorous footage of everyday life, The War Show exposes what it is like to be a creative, ambitious young woman living amidst one of the most destructive conflicts of our time. This unprecedented documentary offers a rarely-seen image of youth culture in Syria, following the experiences of a DJ and her friends following Arab Spring of 2011, when the sad realities that follow envelop their hope for liberation.
“The fact that we can even make these films is representative of the change in this country,” said Lamin Oo, speaking to a full Frontline Club from Burma. Oo is one of his nation’s predominant emerging filmmakers and of the many talents being showcased at the Frontline Club’s ‘A Country in Motion: Films From Burma’ […]
The Frontline Club is delighted to partner with the London School of Economics in programming an evening of short films during the 2016 Literary Festival on the theme Revolutions. This is an external screening taking place at the Sheikh Zayed Theatre (New Academic Building, 54 Lincoln’s Inn Fields, London WC2A 3LJ). The event is free and open to all. E-tickets will be available to book online soon, and booking details will be published here. For any queries see LSE Events FAQ or contact [email protected]
‘These came by ship,’ journalist Rose George remarked in the opening minutes of the film, casting her eyes over her clothes, ‘my shoes probably came by ship, the microphone certainly…’ The device you’re using to read this blog probably did too: 90% of everything we consume arrives in a shipping container.
The Frontline Club is delighted to present an evening dedicated to the recent social, political and cultural transitions in Burma presented through the eyes of its young filmmakers. Free elections, gender equality and defeating poverty are themes reoccurring in this unique programme of short films selected by Igor Blazevic; thinker, political activist and founder of the One World Human Rights Festival in Prague.
In the last three years online readership has well surpassed paper consumption, and some major institutions such as the Guardian and the BBC had to create entire new departments to shape their digital future. How has digital media changed the way we communicate our stories? And, more importantly, how can we, as authors, make the most of such changes? This one-day workshop will cover an introduction to interactive storytelling including a practical session where participants will experiment and get an exposure to the full potential of the interactive tools.
Leading up to the 2016 presidential elections, our U.S. Under the Lens film series presents bold new documentaries tackling the most polarising and hotly-debated issues set to determine the outcome of the 2016 campaign.
This screening will be followed by a panel discussion with director Sonia Kennenbeck and others.
National Bird follows the dramatic journey of three whistleblowers who are determined to break the silence around one of the most controversial current affairs issues of our time: the secret U.S. drone war. At the centre of the film are three U.S. military veterans. Grappling with guilt over their participation in the drone programme, they decide to speak out publicly in spite of the possible consequences. As their stories take dramatic turns, this not-to-miss film gives a balanced insight into the U.S. drone programme through the eyes of veterans and survivors – connecting their stories as never seen before.
Words and pictures by Heenali Patel One summer morning in 2011, London’s Metropolitan Police pulled over Mark Duggan– a young, black, British man– and shot him dead. His killing sparked what became known as the Tottenham riots, and set off a chain reaction of arson and looting across the country. Images of burning buildings and […]
“We learn so much from Malala, she tells us that we have a voice in the West but we take it for granted”, Guwali Passarlay.
Join us for a screening and discussion exploring the use of animation techniques within documentary filmmaking. We will be joined by a panel of documentary makers and animators who will present a behind-the-scenes look at the varied artistic techniques behind recent projects, as well as the broader motivations and challenges to capturing reality through animated form.
On 18 March the Frontline Club hosted a screening of the BAFTA-nominated documentary 16 Years Till Summer as part of its New Scottish Documentary season. The screening was followed by a Q&A with director Lou McLoughlan.
A panel of experienced filmmakers came together at the Frontline Club on Monday 15 February to give an insight into their creative processes when making short documentary films. The panel consisted of award-winning filmmakers Liam Saint-Pierre, Chloe White, Marc Silver, and Gemma Atkinson, with documentary programmer and DocHouse producer Jenny Horwell moderating the discussion.
Scotland on Screen, part of our New Scottish Documentary season, is an evening of short films produced with assistance from the Scottish Documentary Institute and showcasing the diverse beauty of the Scottish landscape, immersing viewers in breathtaking scenes and remarkable stories from communities across the country.
This February, our monthly short film night will showcase a selection of documentary shorts exploring the themes of love, romance and longing. Featuring unforgettable stories from across the world and capturing love in extraordinary circumstances, this line-up will have something for everyone.
By Thomas Colson On Monday 30 November, a panel of acclaimed documentary filmmakers came together to discuss the difficulties and rewards of character-driven documentary. Beadie Finzi, one of the founding directors of non-profit film foundation BRITDOC, moderated the discussion and was joined by filmmakers Brian Hill, David Sington, and Edward Lovelace.
By Heenali Patel On Friday 20 November, the Frontline Club hosted a premiere screening of the documentary I Am Sun Mu, a remarkable insight into the life and work of North Korean defector and political pop artist Sun Mu. The film follows Sun Mu as he prepares for his first solo exhibition in Beijing in […]