Join us at the world’s first festival for independent journalism and freedom of speech – to debate, discuss, dance, laugh, and change the world. Frontline will be running a specially curated series of talks and documentary screenings exploring this year’s key festival themes: Defending Democracy and The Power of Journalism.
Invisible Battalion tells the story of six Ukrainian servicewomen, the film protagonists are different by their life experience, age, military and civil professions, but all of them united by war.
To mark the 10 year anniversary since the 2008 financial crash, we will be screening the film: Abacus Small Enough to Jail, a film about the only U.S. bank to face criminal charges in the wake of the crisis.
BAFTA Nominated Deeyah Khan sits face-to-face with fascists, racists and the proponents of the “alt-right” to discover the men behind the masks.
On October 2017 a car bomb killed the investigative journalist Daphne Caruana Galicia in Malta, extinguishing the free voice that for years, in solitude, we screen the first documentary that tells the story of Daphne, who killed her and why her killers are still in the shadows…
An intimate, beautiful film that harnesses the visual power of circus to give a unique perspective into the complex world of human trafficking.
The BAFTA Nominee documentary filmmaker Sean Langan is joining us for an evening’s masterclass. He will be discussing his own process of filmmaking while sharing invaluable insights on how to best navigate between getting access, storytelling and getting your film out there.
In the frontline town of Marinka, a new bakery has opened which brings some comfort and sustenance to war-weary locals. The film follows the people who run the bakery and the customers, as they struggle to gain a sense of normality among the rumble of war.
Academy Award-nominated director Joe Berlinger’s, Intent to Destroy interrogates and scrutinises the diplomatic pressure, Hollywood censorship and the legacy of Turkish suppression that have together conspired to bury the horror of the Armenian Genocide.
Award-winning film maker Lynn Novick will be coming to the Frontline Club to discuss the critically acclaimed film The Vietnam War – Ken Burns & Lynn Novick. She will be showing clips from the series and discussing various aspects of the film.
The Frontline Club will be hosting a series of screenings for the launch of the BBC’s first ever Virtual Reality documentary Damming the Nile
In HONDROS director and childhood friend Greg Campbell reveals a portrait of a man – Chris Hondros who found and explored humanity in war-torn countries with great depth and sensitivity. Hondros’ passion for his craft could only be matched by his unending talent for creating breathtaking imagery.
The Frontline Club will be screening a new BBC documentary, Stacey Dooley – Face to Face with ISIS followed by a Q&A with Stacey and director Joshua Baker.
Filmmaker Bryan Fogel sets out on a mission to learn about performance-enhancing drugs in sports. What he ends up discovering is far bigger than anyone could have even imagined.
The Ransom dives into the secret system of Kidnap & Ransom, designed by major insurance companies in response to the 30,000 kidnappings committed every year around the world.
The Frontline Club in partnership with the Foreign Press Association of Greece will be screening MOSUL, by Olivier Sarbil and James Jones followed by a Q&A with Olivier and James at the Romantso in Athens.
Fiction filmmakers acknowledge that at least half the meaning of a scene, and often more, comes from the soundtrack. But the documentary soundtrack is often ignored, left as a technical aspect of post-production or caught up in debates about the differences between different styles of documentary production – observational, single-shooter, personal essay, reality, current affairs, and so on. So clearly there is a feeling that sound for something that has its basis in real life events must be different than that for fiction filmmaking. So, how should the documentary filmmaker work with sound?
This one day course is for anyone, from complete beginners to experienced producers, who have a documentary idea but don’t know how to move it forwards, develop it and get it made. During the day we break down the development process, working through what’s needed to create a compelling pitch, then a fully rounded proposal, a treatment, shooting schedule, budget and sizzle teaser.
Letters from Baghdad is the story of a true original — Gertrude Bell — sometimes called the “female Lawrence of Arabia”. Voiced and executive produced by Academy award winning actor Tilda Swinton, the film tells the dramatic story of this British spy, explorer and political powerhouse. Bell traveled widely in Arabia before being recruited by British military intelligence during WWI to help draw the borders of Iraq. This unforgettable documentary takes unique look at both a remarkable woman and the tangled history of Iraq, while transporting us into a past that is eerily current.
For the first time, cameras go inside a police station run by and for women, revealing a unique perspective on what’s really going on in Indian society. This surprising documentary follows Parmila and her special team of scooter-mounted female officers who are focused on preventing the harassment of women.
Got a documentary idea but not sure how to: move it forwards, get some interest, get it funded, commissioned and broadcast? This one day course is for anyone, from complete beginners to experienced producers, who have a documentary idea but don’t know how to move it forwards, develop it and get it made. This workshop applies to online documentaries, broadcast TV documentaries and one-off theatrical release documentaries. During the day we break down the development process, working through what’s needed to create a compelling pitch, then a fully rounded proposal, a treatment, shooting schedule, budget and sizzle teaser.
This special two-part series explores the interwoven history of the European project and the far right in postwar Europe – both East and West. Beginning with the establishment of the European Coal and Steel Community from the ashes of World War II, we chart the trajectory of European integration, in tandem with the story of the European far right, recounting the series of shifts that have led to today’s critical juncture: a post-Brexit EU and a stark rise in support for far right parties across Europe.
Independent journalists like Amy Goodman, Glenn Greenwald, Jeremy Scahill, and Matt Taibbi are changing the face of journalism, providing investigative, adversarial alternatives to mainstream, corporate news outlets. All Governments Lie follows them as they expose government and corporate deception – just as the groundbreaking independent journalist I.F. Stone did decades ago.
The film, first released in May this year, follows four years in the parallel political lives of Jawhara Ettis and Emna Ben Jemaa – two women at the centre of Tunisia’s radical turn to democracy during the 2011 Arab Spring.
For the first of our industry parties of the year, we’re giving photographers a chance to practice their pitching skills while receiving valuable feedback from online editors, curators and publishers. This night is a great opportunity for photographers to determine which outlet is best suited for bringing their project to a wide audience. Photographers who would like to present work in a 7 minute pitch should sign up to receive a time slot and all presenters will be listed online ahead of the event. Industry professionals will be present at tables respective to the platforms of their expertise, and everyone is encouraged to visit across these groups to have a chat and a drink.
This screening will be followed by a Q&A with director Andreas Møl Dalsgaard.
Through observational and at times humorous footage of everyday life, The War Show exposes what it is like to be a creative, ambitious young woman living amidst one of the most destructive conflicts of our time. This unprecedented documentary offers a rarely-seen image of youth culture in Syria, following the experiences of a DJ and her friends following Arab Spring of 2011, when the sad realities that follow envelop their hope for liberation.
“The fact that we can even make these films is representative of the change in this country,” said Lamin Oo, speaking to a full Frontline Club from Burma. Oo is one of his nation’s predominant emerging filmmakers and of the many talents being showcased at the Frontline Club’s ‘A Country in Motion: Films From Burma’ […]
The Frontline Club is delighted to partner with the London School of Economics in programming an evening of short films during the 2016 Literary Festival on the theme Revolutions. This is an external screening taking place at the Sheikh Zayed Theatre (New Academic Building, 54 Lincoln’s Inn Fields, London WC2A 3LJ). The event is free and open to all. E-tickets will be available to book online soon, and booking details will be published here. For any queries see LSE Events FAQ or contact [email protected]
‘These came by ship,’ journalist Rose George remarked in the opening minutes of the film, casting her eyes over her clothes, ‘my shoes probably came by ship, the microphone certainly…’ The device you’re using to read this blog probably did too: 90% of everything we consume arrives in a shipping container.
The Frontline Club is delighted to present an evening dedicated to the recent social, political and cultural transitions in Burma presented through the eyes of its young filmmakers. Free elections, gender equality and defeating poverty are themes reoccurring in this unique programme of short films selected by Igor Blazevic; thinker, political activist and founder of the One World Human Rights Festival in Prague.