Join us for the ARTconnects Creative Forum where art meets journalism. Hosted by Filmmaker and Human Rights Activist, Salma Zulfiqar Refugee girls and special guests this creative event will explore the representation of migrant/refugee females in the media through art and debate.
Join Vincent Cochetel, Special Envoy of the UNHCR for the Central Mediterranean situation, in conversation with Tom MacLeod, of Sky News and BBC World Service, where he will be discussing the latest issues impacting the refugee crisis, as well as recounting his own experience of being held hostage for 317 days.
From Director Richard Parry (‘Shooting Robert King’, ‘BASE’) this newly-released feature documentary tells the story of a father’s epic struggle to reach his son in the UK. Kais, a 30-year old Tunisian arrives in France’s notorious Calais Jungle with nothing more than the shirt on his back. Over sixteen months, the film charts his mounting […]
According to Emma Sky, the Middle East is in a ‘Time Of Monsters’. Where have these monsters come from? Join us for an evening with two regional experts with diverse experiences to dig deeper into the origins, complexities and fallout of these forces at large in the Arab World – and their relationship with Europe and beyond.
Award-winning photographer Nish Nalbandian presents his second body of work “A Handful of Dust” humanistic portraits of Syrians in Turkey
In 2015, as refugees wind their way across Europe they are accompanied by a pack of fellow travellers – reporters, camera-operators, producers and news vans. British director, Orban Wallace, turns the camera in a new direction: the world’s 24-hour news gatherers in pursuit of the breaking story.
The Frontline Club will screen a short documentary, made by journalist Shafiur Rahman on the current crisis, followed by a panel discussion on the ongoing atrocities that are afflicting the region. The documentary focuses on Rohingya women refugees uses harrowing footage from the border with Myanmar as well as devastating testimony from Rohingya refugees. The panel will further help to decipher whether this is an ethno-religious conflict or something more?
“It is very hard for Muslim girls to live in Burma. For the boys it is not so dangerous. They just get killed,” said the first girl, 13. “I consumed washing detergents… poison… I’m so tired of everything,” said the second girl.
The ideological and physical implementation of borders has become a key element of debate around the global refugee crisis. Forty thousand people died trying to cross international borders in the past decade, with deaths along the shores of Europe only accounting for half of the shocking total. At the same time, military-industrial complexes have expanded to further secure and police border zones across the world. We will be joined by a panel of experts to discuss the relationship between border security projects, border conflict, and the refugee crisis.
More than 2,000 leaked incident reports from Australia’s detention camp for asylum seekers on the remote Pacific island of Nauru were published in The Guardian in August. Sparking outrage from the international community, the Nauru files set out the shocking details of assaults, sexual abuse, self-harm attempts, child abuse and poor living conditions endured by asylum seekers held by the Australian government – painting a picture of a dysfunctional asylum processing system. We will be joined by a panel of journalists, migration experts and human rights defenders to discuss their initial reactions to the Nauru files, the implications of the reports and how a group of journalists broke a story from within a detention centre that has remained historically off-limits to journalists.
Europe is experiencing a wave of migration not seen since the end of World War II. Forced out of their homes by terror and war in Syria, Iraq and Afghanistan, pulled to Europe by the prospect of a better life, huge numbers are risking everything in perilous journeys across land and sea.
Joined by the Guardian‘s inaugural migration correspondent Patrick Kingsley, whose new book The New Odyssey documents these journeys, we will explore what failures lead to the current crisis and what needs to be done to avert it.
The civil war in Syria is never far from our front pages and minds, particularly with the continual images and stories of refugees dominating the media and political agenda. It is a story we all think we are familiar with.
This screening will be followed by a Q&A with director Mani Benchelah.
Over the course of a year, Emmy Award-winning director Mani Benchelah made this intimate portrait of Syrian refugee children forced to flee from the violence of civil war to neighbouring Lebanon. It tells the stories of the children’s lives in their own words and captures the moving truth of how they deal with loss, hardship and dashed hopes.
Thursday 21 January 2016, 6:00 PM SALT Galata, Garanti Bankası, Bankalar Caddesi 11, Karaköy 34420, Istanbul Please email [email protected] to register to attend this event We are thrilled to announce our first Frontline Club event in Turkey on 21 January 2016, which will mark the start of regular screenings and discussions taking place in Istanbul as part […]
By Ratha Lehall On Wednesday 18 November, the Frontline Club hosted photographer Giles Duley to discuss the themes and individual images in his latest project, One Second of Light. Duley was joined by Roger Tatley, director at the Marian Goodman Gallery, and Jon Levy, a photo editor currently working with Médecins Sans Frontières (MSF). One Second of […]
By Aletha Adu On Wednesday 18 November, Gulwali Passarlay enlightened a packed audience at the Frontline Club into his journey as an unaccompanied child refugee from Afghanistan to the United Kingdom. Joined by former Afghanistan correspondent for the BBC David Loyn, and Nadene Ghouri who co-authored his book The Lightless Sky, Passarlay was keen to […]
The Frontline Club is delighted to partner with Cinema for Peace to bring you a night of short films illuminating the experiences of refugees and displaced persons from across the world.
This screening will be followed by a Q&A with director Andreas Koefoed.
This remarkably intimate and touching documentary focuses on one Danish Red Cross school for refugees, where classrooms are filled with children from more than twelve countries. The students have had to learn Danish while adjusting to new surroundings and, in some cases, dealing with the traumas of conflict.
In collaboration with the Syrian Association for Missing and Conscience Detainees and the National Coalition of Syrian Revolution and Opposition Forces we are hosting The Caesar Exhibition at the Frontline Club for one day only. The images will be on display on Tuesday 6 October from 10:00 AM to 6:00 PM – the exhibition is open to all and there is no need to book to attend.
10:00 AM – 6:00 PM
The images will be on display – there is no need to book to attend.
3:00 PM – 4.45 PM
Stephen Rapp, Ambassador-at-Large for War Crimes, will give a speech and is available for questions.
7:00 – 8.30 PM
Panel discussion on ensuring accountability and justice
By George Symonds On Friday 19 June 2015, the Frontline Club held a screening of the genre-defying Those Who Feel the Fire Burning, an experimental film focusing on the experiences of those who risk their lives in order to reach the shores of Europe. The audience was joined by co-producer Katja Draaijer for a discussion following the screening.
This screening will be followed by a Q&A with director Morgan Knibbe.
Conflict, economic crisis, and depleting environmental resources are driving increasing numbers of people to attempt the treacherous journey across the Mediterranean to Europe. Those Who Feel the Fire Burning, Morgan Knibbe‘s innovative and genre-blurring film, places viewers in the perspective of a person who has begun this dangerous and desperate journey to Europe by sea.
This screening will be followed by a Q&A with director Tamara Erde.
This is My Land takes us inside school classrooms in Israel and the occupied West Bank, to look at how educators teach history in a contested region. Filmed in an observational style, the film presents a nuanced analysis of the core educational institutions in Israel and Palestine. Candid interviews with students reveal shocking discrepancies in perspectives of history, concepts of freedom, and definitions of nationality. The film prompts the question: how long will the past dictate the present?
By Heenali Patel On Friday 27 March, the Frontline Club partnered with the London School of Economics to host a series of films for the 7th annual LSE Literary Festival. The external screening, at Lincoln’s Inn Fields, was packed out with members of the public for a night of short films exploring the foundations of identity […]
Join us for an evening of short documentaries, from different parts of the world, covering a wide range of topics. Shorts at the Frontline Club showcases moving, striking and funny films, exploring the many different faces of documentary filmmaking.
Three short films explore life on the other side of the Iron Curtain, before the fall of the Berlin Wall:
Academy Award-nominated documentary Rabbit à la Berlin uses the Berlin Wall rabbit population as a metaphor for the huge transition post-communist societies underwent.
Through exceptional and rare footage shot between 10 and 20 October 1989, EXIT shows East German refugees who managed to cross the Polish border in order to reach the West German embassy in Warsaw. They talk openly about life in East Germany, not knowing the world is about to change.
During the communist dictatorship in Romania (1945-1989), thousands of people risked their lives attempting to flee their country, often inventing the most incredible methods to cross the border illegally. Oxygen is a free re-enactment of a real case.
This event is organised by International Alert.
Civil wars are tragedies for the countries they consume, but they can also be dangerous for neighbouring states. Almost three years into the political and humanitarian crisis in Syria, what challenges does the ongoing violence pose for peace and stability in the region? And what can be done to prevent the crisis from stoking existing tensions in countries such as Lebanon?
By Sally Ashley-Cound Aiming to dispel the familiar and stereotypical image of refugees living in camps World Press Photo Award winning photographer Andrew McConnell previewed a new body of work about the 50% of refugees now living in cities at the Frontline Club’s, In the Picture: Urban refugees with Andrew McConnell, on September 24. Taken over […]
Working in eight cities across four continents, Panos Pictures photographer Andrew McConnell has spent many months documenting the new reality for refugees. Through images, refugee testimonies and video, the resulting body of work presents a unique insight into the lives of urban refugees today and challenges commonly held stereotypes. From Somali refugees in Nairobi to Syrian refugees in north Jordan, and from Burmese refugees in Kuala Lumpur to Afghani refugees in New York, the story of where people flee when all is lost is changing.
McConnell will present his work at the Frontline Club in an event moderated by Dr Sara Pantuliano, Head of the Humanitarian Policy Group at the Overseas Development Institute (ODI).
“When elephants fight, it is the grass that suffers”. Director Iara Lee explores the Syrian conflict through the eyes of ordinary people caught in the crossfire and examines the motives of “the elephants” – Bashar al-Assad’s Ba’athist regime, the Free Syrian Army and other key players including the United States, Israel, Russia, China and Iran.
Picture credit: Andrew McConnell / Panos Pictures / IRC UK As urbanisation reshapes much of the world, refugees are increasingly moving to built up areas, including large towns and cities. Working with the International Rescue Committee and the European Commission’s humanitarian aid and civil protection department ECHO in eight cities across four continents, Panos Pictures photographer Andrew McConnell has spent many months documenting the […]