“I felt like [the whole of] Syria was on a dinghy. And we were not welcome.” – Hassan Akkad Heated discussion on the issue of Europe’s crisis in handling the arrival of refugees took place at the Frontline Club on Wednesday 4 May.
From the rise of anti-Western paranoia and imperialist rhetoric to the intervention in Syria and the annexation of Crimea, a distinct theory of Russian national identity based on ethnicity and geography, Eurasianism, has moved from the fringes of political discourse to become official state policy.
When Andrew Mitchell began his career as a young zoologist in Kenya’s Tsavo National Park some decades ago, he and his colleagues spent their days radio-tracking the movements of the black rhinoceros. At that point there were believed to be roughly 16,000 rhinos roaming around the park. Today, owing to widespread poaching, there are just 67.
The Frontline Club played host to the Tim Hetherington Trust on 19 April 2015 for an evening that honoured Tim’s memory and discussed his legacy through the work of artists and journalists whose work reflects his innovative approach to visual media.
Living and working in Aleppo, Erhaim captured the everyday difficulties – the maddening and the mundane – of surviving in a warzone. Shooting the films over the course of 18 months, Syria’s Rebellious Women documents the extraordinary lives of the citizen journalists who bear witness to the horrors taking place in their homeland.
The future of water is uncertain. More than 650 million of the world’s poorest people are living without access to an ‘improved’ source of drinking water, according to a WaterAid briefing.
We live in an age of frenetic journalism. When the internet can deliver any snapshot of the world to us at the press of a button, it is easy to forget that there are some places the camera cannot go.
The civil war in Syria is never far from our front pages and minds, particularly with the continual images and stories of refugees dominating the media and political agenda. It is a story we all think we are familiar with.
The Frontline Club played host to the first in a series of discussions on the craft of picture editing, organised in partnership with Photo London, on Tuesday 5 April.
“Only God can fix Nigeria.” – proverb Chairing a debate organised in collaboration with the Royal African Society, broadcaster Funmi Iyanda began by asking what could be done to combat the perfect storm of plummeting oil prices, a widening budget deficit, plunging growth rate, and dwindling foreign currency reserves currently threatening Nigeria.
We live in a time when innovation and experimentation in news coexist with a decline in revenue. Some publishers and broadcasters are struggling to find revenue streams; other media startups are emerging; and technology companies like Google and Facebook are assuming the role publishers once exclusively held. Amidst all this disruption, a career in journalism increasingly […]
The Frontline Club played host to a heated and at times fractious debate on Brexit and the future of Europe on Thursday 24 March 2016.
On 23 March 2016, The Spectator published a hatchet job on the Frontline Club. You can read it here. This is the rebuttal that I wrote in response to Toby Young’s offer to publish one. Toby’s edit of my piece changed its meaning so much that I declined to have it published in The Spectator.
Photographer Tolly Robinson captured last week’s panel discussion on the EU. From the aftermath of the Brussels attacks to June’s impending Brexit vote, the event chaired by journalist Gavin Hewett debated the future of Britain and Europe.
Dear Members, Yesterday The Spectator published an article about the Frontline Club and you, its members – read it here.
On 18 March the Frontline Club hosted a screening of the BAFTA-nominated documentary 16 Years Till Summer as part of its New Scottish Documentary season. The screening was followed by a Q&A with director Lou McLoughlan.
On Tuesday 15 March the Frontline Club hosted a screening of the first episode from new BBC Two series Inside Obama’s White House. It was followed by a Q&A with series producer Norma Percy and director Paul Mitchell, moderated by author and Guardian journalist Jonathan Freedland.
On Friday 11 March 2016, the Frontline Club held a screening of Among the Believers, a documentary directed by Hemil Trevedi and Mohammed Naqvi. The screening was followed by a Q&A with Naqvi and producer Joseph Goodman Levitt.
On Wednesday 9 March, the Guardian‘s world affairs editor Julian Borger was joined by a panel of experts to discuss the search for Balkan war criminals as detailed in his new book, The Butcher’s Trail – How the Search for Balkan War Criminals Became the World’s Most Successful Manhunt.
On Wednesday 24 February 2016, journalist and author Oliver Bullough was joined by Peter Pomerantsev, writer and senior fellow at the Legatum Institute, and author Philip Ó Ceallaigh to discuss the legacy of communism in eastern Europe. The event marked the release of Granta magazine’s new edition – No Man’s Land.
By Isabel Gonzalez-Prendergast On Wednesday 24 February, a panel of experts met to discuss the legacy of war and communism in eastern Europe. A full house convened for the event to mark the release of the latest edition of Granta, No Man’s Land, which focuses on the ground between opposing forces, twenty five years since the fall of […]
On Tuesday 23 February, the Frontline Club hosted a preview screening of Cuba For Sale, a new film by Al Jazeera. Following the screening, journalist and historian Richard Gott moderated a panel discussion with reporter and filmmaker Juliana Ruhfus; LSE fellow Helen Yaffe; national secretary of the Cuba Solidary Campaign Bernard Regan; and assistant director at the […]
A full house convened at the Frontline Club on Wednesday 17 February for an audience with journalist Janine di Giovanni to mark the launch of her new book, The Morning They Came For Us: Dispatches from Syria. Di Giovanni, who first travelled to Syria in 2012, was joined by BBC HARDtalk presenter Stephen Sackur to discuss […]
A panel of experienced filmmakers came together at the Frontline Club on Monday 15 February to give an insight into their creative processes when making short documentary films. The panel consisted of award-winning filmmakers Liam Saint-Pierre, Chloe White, Marc Silver, and Gemma Atkinson, with documentary programmer and DocHouse producer Jenny Horwell moderating the discussion.
On Wednesday 10 February 2016, a panel of experts joined an audience at the Frontline Club to discuss Revolutionary Egypt Five Years On. Speakers included Jack Shenker, journalist and former Egypt correspondent for the Guardian; Dr Omar Ashour, an associate fellow at Chatham House and senior lecturer in Security Studies in the Institute of Arab and […]
Journalist and writer Ed Vulliamy was joined by Empire film critic Dan Jolin on Friday 5 February at the Frontline Club, to watch and discuss Denis Villeneuve’s Sicario. The Academy Award-nominated film, the title of which translates to ‘assassin’, tells the story of the inextricably linked worlds of US law enforcement agencies and Mexican drug cartels.
By Charlotte Beale Legendary Iranian photographer Abbas joined journalist and filmmaker Maziar Bahari in a conversation at the Frontline Club on 3 February 2016, chaired by CBS News correspondent Elizabeth Palmer. Bahari and Abbas have collaborated to launch abbas.site, a platform showcasing Abbas’s photographic body of work on Iran since 1970, including his coverage of the 1979 Iranian Revolution.
By May Bulman Belgian journalist Rudi Vranckx joined an audience at the Frontline Club on Monday 1 February 2016 to discuss his documentary My Jihad, in which he explores how a small Belgian community is confronting extremism.
Photos by Tolly Robinson Thursday 28 January 2016 – panel discussion with journalists Benjamin Hiller, Osie Greenway, Jeffry Ruigendijk and Anne Alling on the subject of freelance conflict reporting and the War Zone Freelance Exhibition.
By Thomas Colson A panel of freelance journalists and photographers joined an audience at the Frontline Club on Thursday 28 January 2016 to discuss the story behind a new exhibition of freelance war photography. Osie Greenway, Anne Alling, Benjamin Hiller and Jeffry Ruigendijk introduced photography and footage from their time in the Middle East – particularly Iraq, Syria and Lebanon […]