ONLINE Screenings Take 2 steps Ticket purchase will give you access (48hrs) to watch the film online, at ‘modern films’ The Q&A with Director Zeina Durra on Monday the 16th November 19:00 is free by registration here: FREE Q&A A film by Zeina Durra | English, Arabic Drama | 85min Cast: Andrea Riseborough, Karim Saleh When […]
From Director Richard Parry (‘Shooting Robert King’, ‘BASE’) this newly-released feature documentary tells the story of a father’s epic struggle to reach his son in the UK. Kais, a 30-year old Tunisian arrives in France’s notorious Calais Jungle with nothing more than the shirt on his back. Over sixteen months, the film charts his mounting […]
On the day Boris Johnson promised Britain would leave the EU, we screen the gripping, untold (and occasionally jaw-dropping) story of Brexit negotiations from the other side. For two years, Belgian film-maker Lode Desmet had exclusive access to the Brexit co-ordinator of the European parliament, Guy Verhofstadt, and his close-knit team. His two-part fly-on-the-wall film captures the off-the-record conversations and arguments as they devise their strategy for dealing with the British.
The Ransom dives into the secret system of Kidnap & Ransom, designed by major insurance companies in response to the 30,000 kidnappings committed every year around the world.
Daughters of Bangladesh Garment Factory Workers is a moving film featuring and created by the young daughters of women textile workers. Our expert panel of directors, writers and journalists will discuss the challenges and solutions of getting marginalised female voices represented via the medium of storytelling.
The Frontline Club is delighted to present an evening dedicated to the recent social, political and cultural transitions in Burma presented through the eyes of its young filmmakers. Free elections, gender equality and defeating poverty are themes reoccurring in this unique programme of short films selected by Igor Blazevic; thinker, political activist and founder of the One World Human Rights Festival in Prague.
Leading up to the 2016 presidential elections, our U.S. Under the Lens film series presents bold new documentaries tackling the most polarising and hotly-debated issues set to determine the outcome of the 2016 campaign.
This screening will be followed by a panel discussion with director Sonia Kennenbeck and others.
National Bird follows the dramatic journey of three whistleblowers who are determined to break the silence around one of the most controversial current affairs issues of our time: the secret U.S. drone war. At the centre of the film are three U.S. military veterans. Grappling with guilt over their participation in the drone programme, they decide to speak out publicly in spite of the possible consequences. As their stories take dramatic turns, this not-to-miss film gives a balanced insight into the U.S. drone programme through the eyes of veterans and survivors – connecting their stories as never seen before.
A panel of experienced filmmakers came together at the Frontline Club on Monday 15 February to give an insight into their creative processes when making short documentary films. The panel consisted of award-winning filmmakers Liam Saint-Pierre, Chloe White, Marc Silver, and Gemma Atkinson, with documentary programmer and DocHouse producer Jenny Horwell moderating the discussion.
This screening will be followed by a Q&A with directors Juan Antonio Moreno Amador and Silvia Venegas.
Sadaf Rahimi is the most accomplished female boxer in Afghanistan and well known within her community in Kabul, though her talent for the sport attracts social ridicule as well as fame. Sadaf’s boxing and academic achievements have led her into public visibility and turned her into a role model for many Afghan young women – although her athletic career has been jeopardised by death threats and interference from the Afghan Boxing Association, which barred her from travelling to compete in the 2012 London Olympics.
This February, our monthly short film night will showcase a selection of documentary shorts exploring the themes of love, romance and longing. Featuring unforgettable stories from across the world and capturing love in extraordinary circumstances, this line-up will have something for everyone.
A panel of filmmakers and industry professionals will come together to discuss how they’ve carried their messages beyond the screen to incite engagement from viewers and response to social issues and injustices. Subjects to be discussed include storytelling methods for inspiring action, building campaigns through multimedia platforms, and engaging with the journalistic community.
By Ratha Lehall On Monday 28 April, the Frontline Club hosted a fully booked preview screening of the feature film A Thousand Times Good Night, which was followed by a Q&A with the film’s director, Erik Poppe, moderated by Gavin Rees from the Dart Centre Europe. The film, which stars French actress Juliette Binoche, tells […]
An epic film version of Nelson Mandela’s autobiography Long Walk to Freedom, tells the story from his childhood in a rural village to his inauguration as the first democratically elected president of South Africa. Starring Idris Elba and Naomie Harris, it tells story of an ordinary man who rose to the challenge of his times and triumphed – an intimate portrait of the making of a modern icon. This screening will be followed by a Q&A with screenwriter Bill Nicholson chaired by the BBC’s Audrey Brown.
By Richard Nield On 31 May, the Frontline Club hosted a screening of State Builders, a unique film documenting the immense challenges faced by the new state of South Sudan, which became the world’s newest nation on 9 July 2011. Directed by Florence Martin-Kessler and Anne Poiret, the film gives a penetrating insight into what was […]
By Caroline Schmitt Between the Lines, a festival dedicated to connecting new journalism with documentary and film-making, was launched at the Frontline Club on Tuesday 12 February, 2013. Documentary programmer, Wotienke Vermeer, introduces Between the Lines at the Frontline Club. Photography: Caroline Schmitt Elizabeth Wood, one of the festival curators, introduced the Club to the […]
By Sally Ashley-Cound There was great interest in the screening of the film Secret City and the Q&A with Michael Chanan – professor of film and video at the University of Roehampton and The New Statesman’s first video blogger – which followed on Monday 14th January at the Frontline Club. Chanan’s film, along with fellow filmmaker and […]
This lecture and workshop is designed to help filmmakers navigate the risks and opportunities afforded by the web. It covers best social media practice, building an audience before a film is completed, crowd funding, DIY distribution techniques and more.
FCP X works with new paradigms from tapeless workflows. This workshop will take you through this revolutionary new way of editing from start to finish.
by Rosie Scammell In the wake of intimidation of BBC Persian journalists by the Iranian authorities, last night saw the screening of ‘The Ayatollah’s Seal’ – the first documentary to be made about the country’s Supreme Leader, Ayatollah Khamenei. Refused access to Iran by the Ministry of Culture (there were more important topics for the […]
By William Turvill The end of the Frontline Club’s screening season was marked, on Sunday 27 November, with the showing of Cinema Komunisto, featuring a subsequent question and answer discussion led by one of the film’s producers, Iva Plemic. The film, created by a group of young filmmakers from Serbia, documents the creation and collapse […]
Burma VJ is a documentary film by Danish director Anders Ã˜stergaard about the Burmese reporters who risked their lives covering the Saffron revolution in Burma in September 2007. Ã˜stergaard assembled the film almost entirely from handheld footage shot during the protests. A journalist, using the pseudonym Joshua and with the Democratic Voice of Burma, who […]
In yet more film news, War made easy is showing in “select theatres” across the USofA. The Valley Advocate says War made easy makes an easy job of the media, Perhaps more searing than its indictment of the politicians who lead us to war is the film’s unflinching critique of the major media, including once-highly […]