Teranga is a 35-minute observational short-documentary about youth, music and conquering collective trauma. Filmed in Naples over two years, this film follows the lives of migrants as they wait in limbo for a response to their asylum request in corrupt migrant camps and how they find solace in Teranga, an Afrobeats migrant-run nightclub.
Ahead of its UK release, Frontline Club members and supporters are invited to a special preview screening + Q&A of Feras Fayyad’s powerful new documentary, The Cave, which tells the harrowing true story of an underground Syrian hospital and its extraordinary staff.
Join us for the first of 2 nights of the Frontline Club and Byline Festival’s New York Event for a film screening of MOSUL on 6th November 7pm. The event will be at the Bronx Documentary Center 614 Courtlandt Avenue, Bronx, NY 10451. This will be followed by a reception and a Q&A with film directors Olivier Sarbil and James Jones in conversation with Marcia Biggs.
“The fact that we can even make these films is representative of the change in this country,” said Lamin Oo, speaking to a full Frontline Club from Burma. Oo is one of his nation’s predominant emerging filmmakers and of the many talents being showcased at the Frontline Club’s ‘A Country in Motion: Films From Burma’ […]
By Ayman al-Juzi On Friday 22 January 2016, a panel joined a packed audience at the Frontline Club for a lively discussion following the London premiere screening of Michelle Shephard‘s Guantanamo’s Child. With unprecedented access to former fellow prisoners, family members and government officials, the documentary explores the political and ethical implications of the harrowing case of […]
The Frontline Club is delighted to partner with the London School of Economics in programming an evening of short films during the 2016 Literary Festival on the theme Utopias. This is an external screening taking place at the Sheikh Zayed Theatre (New Academic Building, 54 Lincoln’s Inn Fields, London WC2A 3LJ). The event is free and open to all.
By Heenali Patel On Friday 15 May, the Frontline Club hosted the UK premiere of This Is My Land, followed by an insightful discussion with director Tamara Erde. Screened on the 67th anniversary of Israeli Independence and Nakba Day, the film poses an important and highly relevant question: how does teaching of the Israeli-Palestinian conflict affect […]
By Robert Van Egghen “We use nature because she’s valuable, and we lose nature because she’s free,” comments Pavan Sukhdev in Banking Nature, which screened at the Frontline Club on Monday 2 March. Sukhdev, the CEO of Gist Advisory, is just one of the multitude of economists, analysts and activists interviewed in the film, which […]
By Heenali Patel On Friday 27 March, the Frontline Club partnered with the London School of Economics to host a series of films for the 7th annual LSE Literary Festival. The external screening, at Lincoln’s Inn Fields, was packed out with members of the public for a night of short films exploring the foundations of identity […]
By Georgia Luscombe On Monday 23 February, a screening of Tomorrow We Disappear transported an audience at the Frontline Club in rainy central London to the vibrant Kathputli slum in Delhi. The film follows the families of acrobats, magicians, painters and puppeteers resident in the artist colony of Kathputli as they battle the authorities who have […]
By Javier Pérez de la Cruz “Wherever you go in the world, democracy has been corrupted by individuals with a lot of power”, said Anthony Baxter by way of an introduction to a screening of his latest film, A Dangerous Game, at the Frontline Club on Monday 12 January. The documentary, which follows on from Baxter’s first international success You’ve Been […]
In Morocco, the world’s first female Muslim leaders are setting out to change their country: empowering women through the teachings of Islam and challenging the attitudes which breed extremism. Through personal stories, family dramas and everyday lives, Casablanca Calling takes us into the heart of this quiet social revolution through the lives of the women at its forefront. This screening will be followed by a Q&A with director Rosa Rogers and producer Hilary Durman.
Following the success of You’ve Been Trumped, director Anthony Baxter goes on a journey to other global golfing hot spots where rapacious developers are building massive luxury resorts with little thought for the local environment or population. Through in-depth interviews with different players involved and footage showing the damage caused, Baxter reveals just how devastating these golf courses can be to the surrounding countryside and water tables. This screening will be followed by a Q&A with director Anthony Baxter.
In Mubarak’s Egypt, director Charlie Smith investigates America’s role during the final years of Hosni Mubarak’s regime. By then Egypt, once the Arab world’s most important power, had become a regional bit-player stagnating in corruption and cronyism. With contributions from many of the leading players in Cairo and Washington, the film shows how revolution became the only option left to the millions betrayed by the rule of a modern-day pharaoh. This screening will be followed by a Q&A with director Charlie Smith and executive producer Christopher Mitchell.
Join us for an evening of short documentaries, from different parts of the world, covering a wide range of topics. Shorts at the Frontline Club showcases moving, striking and funny films, exploring the many different faces of documentary filmmaking. The evening will include short stories capturing the essence of big issues, films showing life in other parts of the world under difficult or extraordinary circumstances, and stories focusing on one particular remarkable event or person.
For eight years Camp Bastion was the power-house of the British Army’s military operations in Afghanistan. Britain’s biggest overseas base since World War Two has now closed down for good. A town the size of Reading with a massive infrastructure – airport, hospital, fast food restaurants – is dismantled bolt by bolt and sent back to the UK. Channel 4 was given exclusive access to the men and women whose job it was to pack up this giant jigsaw puzzle. This Channel 4 preview screening will be followed by a Q&A with director Richard Parry, producer Leslie Knott and executive producer Mike Lerner. Chaired by Siobhan Sinnerton, commissioning editor at Channel 4.
Bringing an African perspective to the devastating spread of the virus, award-winning reporter Sorious Samura tells the inside story of the Ebola outbreak from the worst hit country – Liberia. He also reveals the heroic effort being made by teams on the front line and the deep anger and mistrust held by Liberians towards their government in this time of crisis. This timely and challenging film offers an inside view of a country living with Ebola. This screening will be followed by a Q&A with director Clive Patterson & Emmy- and BAFTA-winning reporter Sorious Samura. Moderated by Tom Clarke, science editor for Channel 4 News.
For 20 years, a small team of female agents known as “The Sisterhood” tracked the activities of al-Qaeda. Piecing together intelligence, they uncovered this secret terrorist organisation, and warned Washington of this new impending threat. Their warnings were repeatedly ignored, until the 9/11 attacks, when all the rules changed. Manhunt gives a peek into the hidden world of the US intelligence community. This screening will be followed by a Q&A with Greg Barker.
In January 2013, filmmaker Laura Poitras was several years into the making of a film about abuses of national security in post-9/11 America when she started receiving encrypted emails from someone identifying himself as “citizen four”, who was ready to blow the whistle on the massive covert surveillance programmes run by the NSA and other intelligence agencies. He turned out to be Edward Snowden. The film that resulted from this series of tense encounters is absolutely unique in the history of cinema: a 100% real-life thriller unfolding minute-by-minute before our eyes.
Based on Frantz Fanon’s landmark 1961 book, The Wretched of the Earth, Concerning Violence explores the mechanisms of decolonisation. It is a bold and fresh visual narrative on Africa, told through newly discovered archive material of the struggle for liberation from colonial rule in the late ‘60s and ‘70s. This screening will be followed by a Q&A with director Göran Hugo Olsson.
On the occasion of the 25th anniversary of the fall of the Berlin Wall, the Frontline Club is pleased to be part of a pan-European simultaneous screening of the new documentary 1989 by award-winning director Anders Østergaard. The creative documentary 1989 is a high-politics drama about the fall of the Berlin Wall and the collapse of the Iron Curtain. Østergaard recreates the events of 1989 and invites the audience into the secret meeting rooms through a mixture of testimonials, archive material, recreation and reconstructed dialogues of the key political players.
By Graham Lanktree When Prime Minister Margaret Thatcher announced on 6 March 1984 that she would close 20 coal mines, there was little clue it would spark the country’s longest strike and leave Britain’s trade unions sorely diminished decades later. For a year roughly 160,000 coal miners from across the UK walked off the job as […]
The Term tells the unique inside story of the Russian opposition movement as Vladimir Putin settles into the Kremlin for his third term, through exclusive access to anti-corruption blogger Aleksei Navalny and other key opposition figures, including Putin’s god-daughter, Ksenia Sobchak, and Solidarnost leader, Ilya Yashin. The screening will be followed by a Q&A with with producer Max Tuula via Skype.
For 14 years, Sir Harold Evans was editor of The Sunday Times. Attacking the Devil focuses on his investigation into the drug thalidomide and how he defied the Attorney General and the political establishment to expose the story. This screening will be followed by a Q&A with co-directors Jacqui Morris and David Morris.
Join us for an evening of short documentaries, from different parts of the world, covering a wide range of topics. Shorts at the Frontline Club showcases moving, striking and funny films, exploring the many different faces of documentary filmmaking.
Among the world’s poorest countries, Bangladesh is also rapidly developing. Across the country, 7.9 million children work every day to support themselves and their families, forced to grow up at an incredibly early age. Mass E Bhat is a portrait of a developing nation through the eyes of its children. This screening will be followed by a Q&A with directors Hannan Majid and Richard York.
In 1984, a Conservative government under Prime Minister Margaret Thatcher declared war on Britain’s unions, including the National Union of Mineworkers. Still the Enemy Within is a unique insight into the 1984–85 British Miners’ Strike, told through unique archive footage and the raw first-hand experiences of those who lived through Britain’s longest strike. This screening will be followed by a Q&A with director Owen Gower and producer Mark Lacey.
In one of the last remaining wildernesses in South East Asia, Cambodian communities struggle to defend their forests. Rubber companies illegally cut down resin trees that the local population depends on, arguing the rubber industry is good for the area, providing jobs and development. In April 2012, environmentalist Chut Wutty was stopped and shot dead at an illegal, military-controlled site in the Cardamom mountains. I am Chut Wutty exposes the fierce battle against illegal logging. This screening will be followed by a Q&A with director Fran Lambrick, Josie Cohen from Global Witness and Cambodian campaigner Kim Sen.
In 1945, a team of top filmmakers came together to make a documentary about the horrific findings in the concentration camps. This film would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. Despite initial support from the British and US governments, the film was never finished. Night Will Fall chronicles the untold story of the film’s history. This screening will be followed by a Q&A with director André Singer and producer Sally Angel.
On 8 March 1971, eight ordinary citizens broke into an FBI office in Media, Pennsylvania. The members of the self-proclaimed Citizens’ Commission to Investigate the FBI picked the lock on the door, took every file in the office, loaded them into suitcases and walked out the front door. Mailed anonymously, these documents started to show up in newsrooms, unleashing fierce debates on whether or not to publish them. Despite demands by the Nixon administration to suppress the story, The Washington Post went to press, uncovering the FBI’s vast and illegal regime of spying and intimidation of Americans exercising their First Amendment rights. This screening will be followed by a Q&A via Skype with director Johanna Hamilton.