Join us for the ARTconnects Creative Forum where art meets journalism. Hosted by Filmmaker and Human Rights Activist, Salma Zulfiqar Refugee girls and special guests this creative event will explore the representation of migrant/refugee females in the media through art and debate.
In Solidarity- The Migration Blanket is a collaborative artwork created during COVID-19 by Refugee and Asylum Seeker girls and women around the world and international artist and Human Rights Activist , Salma Zulfiqar. As we approach the the International Migrants Day (18th Dec), the work shines a light on the need for compassion, tolerance and acceptance […]
War, political unrest and human suffering are unlikely subjects of comic books. Despite this, graphic novels depicting these realities have become increasingly popular, telling difficult stories to new audiences. Inspired by Benjamin Dix’s personal experience of working in Sri Lanka for the UN during the war, VANNI, draws upon over four years of meticulous research – including first-hand interviews, references from official reports and cross-referencing with experts in the field.
The Frontline Club will screen a short documentary, made by journalist Shafiur Rahman on the current crisis, followed by a panel discussion on the ongoing atrocities that are afflicting the region. The documentary focuses on Rohingya women refugees uses harrowing footage from the border with Myanmar as well as devastating testimony from Rohingya refugees. The panel will further help to decipher whether this is an ethno-religious conflict or something more?
The ideological and physical implementation of borders has become a key element of debate around the global refugee crisis. Forty thousand people died trying to cross international borders in the past decade, with deaths along the shores of Europe only accounting for half of the shocking total. At the same time, military-industrial complexes have expanded to further secure and police border zones across the world. We will be joined by a panel of experts to discuss the relationship between border security projects, border conflict, and the refugee crisis.
Harriet Agerholm sat down with The Guardian‘s migration correspondent and author Patrick Kingsley to discuss his latest book, The New Odyssey: The Story of Europe’s Refugee Crisis.
Filmed and edited by Adam Barr.
“I felt like [the whole of] Syria was on a dinghy. And we were not welcome.” – Hassan Akkad Heated discussion on the issue of Europe’s crisis in handling the arrival of refugees took place at the Frontline Club on Wednesday 4 May.
Europe is experiencing a wave of migration not seen since the end of World War II. Forced out of their homes by terror and war in Syria, Iraq and Afghanistan, pulled to Europe by the prospect of a better life, huge numbers are risking everything in perilous journeys across land and sea.
Joined by the Guardian‘s inaugural migration correspondent Patrick Kingsley, whose new book The New Odyssey documents these journeys, we will explore what failures lead to the current crisis and what needs to be done to avert it.
This screening will be followed by a Q&A with director Mani Benchelah.
Over the course of a year, Emmy Award-winning director Mani Benchelah made this intimate portrait of Syrian refugee children forced to flee from the violence of civil war to neighbouring Lebanon. It tells the stories of the children’s lives in their own words and captures the moving truth of how they deal with loss, hardship and dashed hopes.
For our fourth in a series of events in collaboration with the Scientific Exploration Society, we will be exploring the relationship between water shortages and the large population movements we are seeing today. We will be looking at how the effects of climate change are being seen across the Middle East and North Africa, the supply and control of water in the region, and the technologies that are being developed to combat the problem.
This screening will be followed by a Q&A with director Chloe Ruthven.
In 2008 the Indian Government launched an initiative to train 500 million of the rural poor to work in its growing industrial sector. Migrants from the rural areas of India now make up a significant percentage of the labour force in India. Seduced by the opportunity to be independent, many hopeful young women, like best friends Bhanu and Bhutu, try their luck working for garment factories, yet the women’s inexperience leaves them terribly susceptible to exploitation.
By George Symonds “Where can I go to have a decent life?” On Friday 11 June, Shorts at the Frontline Club took viewers on a cinematic journey that showcased the different ways used to document the world we live in. The theme: migration and the phases of migration. Two at the Border by Tuna Kaptan and Felicitas […]
By George Symonds “The Journey towards you Lord, is life. To set off is to die a little.” (The Migrants’ Prayer) On Monday 7 July 2014, the Frontline Club screened Who is Dayani Cristal? The film follows actor Gael García Bernal as he retraced the footsteps of a Honduran man found dead in the Arizonan […]
By Charlene Rodrigues Torn by a lack of cultural identity, a Schwarzkopf or “Darkhead” is the word European born immigrants use to define themselves in Austria. Arman T. Riahi’s documentary of the same name is a portrait of immigrant life in Austria, and follows Nazar, an Austro-Iranian 25-year-old rapper, as he and his […]
A weekly round up of world events from Monday, 11 July to Sunday, 17 July from ForesightNews Monday marks the 16th anniversary of the Srebrenica massacre, which has returned to the forefront again recently with Ratko Mladic’s arrest and last week’s Dutch court verdict assigning responsibility to the Dutch state for the deaths of three men […]