The future of water is uncertain. More than 650 million of the world’s poorest people are living without access to an ‘improved’ source of drinking water, according to a WaterAid briefing.
Heenali Patel sat down with artist and journalist Molly Crabapple to discuss ‘Scenes from the Syrian War’, her collection of illustrations made in collaboration with Syrian writer Marwan Hisham. Using photos sent via cell phone, Molly recreated rare glimpses of daily life in ISIS-occupied areas of Syria. Filmed by Adam Barr.
The Hetherington family and the Tim Hetherington Trust invite friends, colleagues and everyone interested in Tim’s extraordinary life to spend an evening at The Frontline Club exploring his dynamic legacy through the work of artists and journalists who continue to expand his innovative approach to visual media. The evening will introduce new work by some familiar friends, as well as some hitherto unknown voices who are bringing fresh energy to today’s media.
A full house convened at the Frontline Club on Wednesday 17 February for an audience with journalist Janine di Giovanni to mark the launch of her new book, The Morning They Came For Us: Dispatches from Syria. Di Giovanni, who first travelled to Syria in 2012, was joined by BBC HARDtalk presenter Stephen Sackur to discuss […]
Photos by Tolly Robinson Thursday 28 January 2016 – panel discussion with journalists Benjamin Hiller, Osie Greenway, Jeffry Ruigendijk and Anne Alling on the subject of freelance conflict reporting and the War Zone Freelance Exhibition.
By Thomas Colson A panel of freelance journalists and photographers joined an audience at the Frontline Club on Thursday 28 January 2016 to discuss the story behind a new exhibition of freelance war photography. Osie Greenway, Anne Alling, Benjamin Hiller and Jeffry Ruigendijk introduced photography and footage from their time in the Middle East – particularly Iraq, Syria and Lebanon […]
By Anna Speyart On Tuesday 20 November 2015, the Frontline Club hosted a packed screening of the documentary Frame by Frame, followed by a discussion with filmmakers Alexandria Bombach and Mo Scarpelli. The film follows four Afghan photojournalists who have the challenging task of helping to establish a free and diverse media landscape after years of repressive Taliban […]
By Isabel Gonzalez-Prendergast On Monday 19 October, the Frontline Club was joined by a panel of experts to discuss the increasingly necessary journalism model of cross-border collaboration. Gavin MacFadyen, director of the Centre for Investigative Journalism and visiting professor at City University, moderated the event, which was held in partnership with the Romanian Cultural Centre in […]
By Charlotte Beale On Wednesday 7 October, former Al Jazeera English bureau chief Mohamed Fahmy joined a packed audience at the Frontline Club in his first public appearance since his release from a Cairo prison on 23 September. Fahmy was joined in conversation by his lawyer Amal Clooney and BBC chief international correspondent Lyse Doucet. […]
Theatre of War is an innovative project that presents readings of ancient Greek plays to members of the armed services, veterans, and their families to help them initiate conversations about the visible and invisible wounds of war. We are delighted to welcome the project to the Frontline Club for a special performance for journalists who cover conflict.
With a dramatic reading of Sophocles’ Ajax by actors Jason Isaacs, Lesley Sharp and Aidan Kelly. Followed by a panel discussion with journalists Matthew Green, Emma Beals and Safa Al Ahmad. Chaired by writer, director, translator and Theatre of War founder, Bryan Doerries.
When money, politics, abuse of power and corruption reach across borders, transnational networks of journalists become key to an open, accountable and democratic society. Cross-border investigations such as Swiss Leaks and Tobacco Underground have caused public outcry, and in many instances have led to legislative changes and the prosecution of those under investigation.
In an event in partnership with the Romanian Cultural Centre (RCC) and Frontline Club Bucharest, a panel of experts will be discussing what it takes to expose stories that spill across borders.
This screening will be followed by a Q&A with director Chip Duncan, protagonist Abdul Rahman Ramadhan, photojournalist/producer Patrick Muiruri and photojournalist/producer Salim Amin.
The Sound Man tells the story of Abdul Rahman Ramadhan, a 62-year-old professional soundman who has lived in Nairobi’s Kibera slum since he was born. For the past 35 years, Abdul has worked side-by-side with the best photojournalists from Kenya while recording sound for news reports featuring crisis, war, famine and genocide.
As part of marking 60 years this autumn of Radio 4’s From Our Own Correspondent, the Frontline Club will host an event on reporting foreign news. A panel, including Lyse Doucet, the BBC’s chief international correspondent, and Lindsey Hilsum, Channel 4’s international editor, will discuss how reporting in Britain about international news and current affairs – particularly but not only by broadcast journalists – has developed over the last six decades and explore what the future holds in a world of social media and digital correspondents.
He’s a household name in Ghana, but few have seen his face. Investigative journalist Anas Aremewaw Anas is on a mission to ferret out corruption in every corner of his country. Despite his notoriety, Anas’ vigilante methods warrant criticism from some local police, who believe his investigations go too far in luring and catching suspected criminals to achieve sensationalist stories.
Acts of journalism should be shielded from targeted surveillance, data retention and handover of material connected to confidential sources. This is a key early finding from a recent study commissioned by UNESCO on the state of journalistic source protection in 121 countries. In an event in partnership with the Foreign Press Association, we will be joined by the author of the study, Australian journalist and journalism academic Julie Posetti, and other experts to discuss the implications of the findings and what needs to be done to ensure journalists can fully protect their sources.
This event is organised by the International Women’s Media Foundation (IWMF) and the Frontline Freelance Register (FFR).
News Reporting and Navigating Risk will be a moderated discussion with accomplished journalists who have reported from hostile environments around the world about their experiences with a focus on best practices for security, emotional self care, and access to medical, mental health, and emergency resources.
This event will take place at the Sheikh Zayed Theatre on the LSE campus in London.
On Friday 5 June 2015, the News Impact Summit, a free of charge digital journalism conference will take place in the Sheikh Zayed Theatre on the LSE campus in London. This summit will centre on the theme – The Social Impact of Digital Storytelling – and shed a light on how digital age journalism plays a role in resulting the social impact, whether it is during the general election, natural disasters or humanitarian conflicts.
By Josie Leblond What are journalists worth in an age where anyone can tell their own story online? Has their diminishing value led to the growing violence against journalists across the world? This is the argument that executive director of the Committee to Protect Journalists (CPJ), Joel Simon, put forward at the Frontline Club on Tuesday 17 March. […]
The Tim Hetherington Trust invites you to celebrate the lives of Tim Hetherington and Chris Hondros with a review of new work by friends, colleagues and others who are continuing the mission to share important stories powerfully told.
For over two decades, Christina Lamb has reported from Afghanistan, with unparalleled access to all key decision makers. She has developed an extensive understanding of the country, the people and the conflict. She will be joining us in conversation with BBC Radio 4 Today programme presenter, Sarah Montague, to give her personal account of the longest war fought by the United States in its history, and by Britain since the Hundred Years War.
By Richard Nield In an emotional and inspiring interview at the Frontline Club on 19 February, little more than two weeks after his release from an Egyptian prison, Australian journalist Peter Greste spoke of his experience of being incarcerated for more than 400 days for nothing more than doing his job as a journalist. Greeted by […]
By Alexandra Sarabia The plethora of technology now available to communicate different forms of journalism, across a variety of platforms, has allowed journalists more freedom in their storytelling process. This is the driving force behind Me-Mo, a new multimedia magazine created by award-winning freelance photojournalists, Manu Brabo and Fabio Bucciarelli, in partnership with web-developing group, Libre. On […]
In his first trip to London after 400 days in jail, Al Jazeera journalist Peter Greste will discuss his relief at being released as well as calling for the unconditional dismissal of the case against colleagues Baher Mohamed and Mohamed Fahmy. Peter will also talk about how he managed to get through the ordeal and the wider press freedom campaign.
Sao Paulo, one of the largest cities in the world, may run out of water in the next few months leaving 20 million people high and dry. Who is to blame? Incompetent politicians, unpredictable weather patterns or the wholesale destruction of Amazonia’s rainforests? Join us for the second in a series of events held in partnership with The Scientific Exploration Society, as we bring together explorers, scientists and journalists to examine the water shortage in Brazil and debate the wider questions about global water security.
From Egypt to Mexico, Russia to Syria, journalists are increasingly coming under attack. They are murdered, imprisoned and intimidated for doing their job. As executive director of the Committee to Protect Journalists, Joel Simon is on the front line of the global battle for media freedom. He will be joining us to offer an insight into the problems we face and to examine what needs to be done to ensure future generations are not deprived of a free press.
Shrinking editorial budgets have resulted in journalists increasingly turning to aid agencies to cover stories. In conflict and disaster zones, aid agencies often have the local knowledge and access to affected communities. Journalists need these stories, while aid agencies are equally in need of the media coverage. Although it appears to be an ideal partnership, this kind of embedded journalism raises significant editorial and security questions.
Founded by a group of award-winning photographers committed to covering the stories affecting the world around them and in partnership with Libre, a group of web-passionate developers, Me-Mo is a documentary photography magazine that strives to push the limits of visual storytelling. Following the release of issue #1, out on digital newsstands from 19 January, Me-Mo co-founders Manu Brabo and Fabio Bucciarelli and Libre president Matteo Dispenza, will be joining us at the Frontline Club to present the project and the inspiration behind it, and to talk about how technology is influencing new medias. Brabo and Bucciarelli will also present their work, featured in issue #1, from the Libyan revolution.
By Isabel Gonzalez-Prendergast On Wednesday 22 October, the autumn issue of Index on Censorship magazine launched at the Frontline Club. The magazine’s editor, Rachael Jolley, introduced the issue and handed over to author and columnist, David Aaronovitch, who chaired the accompanying debate on the future of journalism. Aaronovitch initiated the discussion by asking each panellist to speak individually on […]
Following our event in New York with the Overseas Press Club of America (OPC), they will be coming to London to continue the discussion.
We will be bringing together a panel of freelance journalists and editors to examine what more needs to be done to make sure freelancers are supported by the news industry and have the resources available to prepare themselves for the risks of front-line reporting.