Director of Oscar-winning documentary ‘White Helmets’ Orlando von Einsiedel turns the cameras on himself, as he and his parents and siblings embark on a journey in remembrance of their brother and son, Evelyn, who took his own life over a decade ago.
UNBROKEN made its debut as a theatre ‘mini-festival’, produced by Shadow Road – a small company with an enduring interest in mental health – at Theatre503 on World Mental Health Day last October. The 2016 festival sold out and the feedback was fantastic so this year it is returning, with some practical workshops, a literary event, and the staged reading of a powerful play about adolescent mental health by award-winning playwright Ali Taylor having been added to the art exhibitions, live music, new writing, original choreography and panel discussions that proved such a hit last year.
What is the emotional toll on journalists reporting on an event as severe as the refugee crisis? How does this impact their work and what are news institutions doing to protect the mental stability of their employees out on the field? The Frontline Club will be hosting an evening of discussion regarding a report released by the INSI, the first of its kind, looking into the link between the media and moral injury.
What happens if the psychiatric hospital in which you have lived for ten years is bombed and all the staff run away? What is it like to be a twelve-year-old and see all your family killed in front of you? Is it true that almost everyone caught up in a disaster is likely to suffer from post-traumatic stress disorder? Dr Lynne Jones has been a psychiatrist working in conflict zones for over 20 years. From treating soldiers in the Bosnian war, to attending to families affected by the Haitian earthquake, or those who lost relatives in the Sri Lankan tsunami, Dr Jones is coming to the Frontline Club to discuss and share her experiences of working in some of the world’s biggest disaster zones.
Inspired by Richard Wilkinson and Kate Pickett’s best-selling book The Spirit Level, Katharine Round’s accomplished debut feature illustrates a more personal account of how inequality shapes our societies. The film travels across the world and into individual lives to see how broad economic shifts have shaped not only our physical circumstances, but also the way we think and what we believe in.
By Francis Churchill On Monday 22 June 2015, the Frontline Club screened Mark Aitken’s new film Dead When I Got Here. The film is centred on Josué, a former psychiatric patient who oversees the day to day running of a mental asylum in the Mexican border town of Juárez. Through Josué, Aitken tells the story […]