Abortion

Monday 17 October 2016, 7:00 PM

U.S. Under the Lens: TRAPPED + Q&A

At this very moment, a woman’s reproductive rights in the United States are not clear. Since 2010, state legislatures have passed more than 250 laws restricting abortion clinics and their doctors. From mandating the width of hallways to requiring physicians to have active admitting privileges at nearby hospitals, these measures are forcing clinics across the country to shut down in epidemic numbers. Lawyer-turned-acclaimed-filmmaker Dawn Porter picks up the plight of the doctors and clinic operators along with the countless women relying on these facilities to uphold their legal right to safe abortion.


March 31, 2015

Tackling Nicaragua’s Abortion Ban

By Amy McConaghy   On Monday 30 March the Frontline Club hosted a screening of A Quiet Inquisition, followed by an insightful discussion with director Alessandra Zeka. Recently previewed at the London edition of the Human Rights Watch Film Festival, A Quiet Inquisition has been described by the Huffington Post as a film that “every human rights […]


Monday 30 March 2015, 7:00 PM

Screening: A Quiet Inquisition + Q&A

This screening will be followed by a Q&A with director Alessandra Zeka.
At a public hospital in Nicaragua, OBGYN Dr Carla Cerrato must choose between following a law that bans all abortions and endangers her patients or taking a risk and providing the care that she knows can save a woman’s life. In A Quiet Inquisition, the emotional core of the story – the experiences of the young women and girls who are seeking care — illustrates the ethical implications of one doctor’s response.


Friday 10 January 2014, 7:00 PM

Preview Screening: After Tiller + Q&A

While nine American states allow late-term abortions, only four doctors in the country are willing to perform them. In the wake of the 2009 assassination of practitioner Dr George Tiller in Kansas, After Tiller intimately explores the highly controversial subject of third-trimester abortions. This screening will be followed by a Q&A with co-director Lana Wilson.