Talking via Skype, Nujeen remembered her hometown, Aleppo: “quietness … the citadel .. summer nights…everything…”
The film, first released in May this year, follows four years in the parallel political lives of Jawhara Ettis and Emna Ben Jemaa – two women at the centre of Tunisia’s radical turn to democracy during the 2011 Arab Spring.
This screening will be followed by a Q&A with director Andreas Møl Dalsgaard.
Through observational and at times humorous footage of everyday life, The War Show exposes what it is like to be a creative, ambitious young woman living amidst one of the most destructive conflicts of our time. This unprecedented documentary offers a rarely-seen image of youth culture in Syria, following the experiences of a DJ and her friends following Arab Spring of 2011, when the sad realities that follow envelop their hope for liberation.
Acclaimed journalist Christina Lamb joins as she shares the powerful story of Nujeen Mustafa, a teenager who travelled 3,500 miles from Syria to Germany in a wheelchair. With her quirky observations on the world, Nujeen illustrates the people behind the numbers crossing Europe on a journey that Lamb has followed in person. Unable to be present in person, Nujeen will be joining the discussion over Skype.
This screening will be followed by a discussion with director Orlando von Einsiedel, producer Joanna Natasegara and others.
As daily airstrikes pound civilian targets in Syria, a group of indomitable first responders risk their lives to rescue victims from the rubble. The White Helmets introduces us to those extraordinary individuals, presenting an arresting and humanising look at one of the most urgent humanitarian crises of our time.
In the absence of legitimate methods of travelling to safer lands, smugglers enjoy a booming trade with a huge supply of refugees willing to pay to escape their home country. Elinor Raikes discussed the irony of a system that refuses entry actually increases risk: “you’re pushing people into these illegal, uncontrolled, unmanaged routes, and actually it’s worse for our security.”
Although the ideology is little understood, salafi-jihadism has played a profound role in shaping global politics in recent years. With the unprecedented territorial gains and political rise of groups such as Al-Qaeda and Daesh, islamist extremism has become the most significant socio-religious force of our time. Join us to discuss the origins and evolution of the ideas behind salafi-jihadism, as well as its primary aims and growing prominence in recent years.
From Northern Ireland to Vietnam, the Falklands to Syria, the photographs taken by Don McCullin have come to define some of the most pivotal events of the past 70 years.
As he publishes Irreconcilable Truths, a definitive retrospective of his life and work, he will be joining us in conversation with Channel 4 News presenter Jon Snow, to reveal the stories behind some of the most iconic images of the second half of the 21st century.
Harriet Agerholm sat down with The Guardian‘s migration correspondent and author Patrick Kingsley to discuss his latest book, The New Odyssey: The Story of Europe’s Refugee Crisis.
Filmed and edited by Adam Barr.
“I felt like [the whole of] Syria was on a dinghy. And we were not welcome.” – Hassan Akkad Heated discussion on the issue of Europe’s crisis in handling the arrival of refugees took place at the Frontline Club on Wednesday 4 May.
From the rise of anti-Western paranoia and imperialist rhetoric to the intervention in Syria and the annexation of Crimea, a distinct theory of Russian national identity based on ethnicity and geography, Eurasianism, has moved from the fringes of political discourse to become official state policy.
Living and working in Aleppo, Erhaim captured the everyday difficulties – the maddening and the mundane – of surviving in a warzone. Shooting the films over the course of 18 months, Syria’s Rebellious Women documents the extraordinary lives of the citizen journalists who bear witness to the horrors taking place in their homeland.
Sectarian divides increasingly fuel conflict across the diverse countries of the Middle East, spilling over borders and contributing to ongoing violence in Syria, Iraq, Yemen and elsewhere. Yet in the nineteenth century the region was considerably more tolerant than Western Europe at the time; a high degree of religious pluralism and self-determination were permitted across the Ottoman Empire’s wide-reaching territories. We will be joined by The Economist‘s Jerusalem correspondent Nicolas Pelham and others to discuss the roots of sectarian violence – as well as hopes for recovery from conflict and a return to plurality.
Heenali Patel sat down with artist and journalist Molly Crabapple to discuss ‘Scenes from the Syrian War’, her collection of illustrations made in collaboration with Syrian writer Marwan Hisham. Using photos sent via cell phone, Molly recreated rare glimpses of daily life in ISIS-occupied areas of Syria. Filmed by Adam Barr.
We live in an age of frenetic journalism. When the internet can deliver any snapshot of the world to us at the press of a button, it is easy to forget that there are some places the camera cannot go.
The civil war in Syria is never far from our front pages and minds, particularly with the continual images and stories of refugees dominating the media and political agenda. It is a story we all think we are familiar with.
Join us for a discussion with IWPR’s Syria coordinator and award-winning Syrian journalist Zaina Erhaim. This event will feature a screening of Zaina’s short films from the series Syria’s Rebellious Women, offering a rare insight into the challenges facing women living and working in rebel-held parts of Syria.
Acclaimed journalist and artist Molly Crabapple has drawn and reported on stories from Guantanamo Bay, Syria, the West Bank, Iraqi Kurdistan and across the United States. With her powerful illustrations she has pushed the boundaries of visual reportage – and established an important place for art in hard news. On the release of her memoir Drawing Blood, she will be joining us to reflect on recent work and to share her personal insight into the use of art as a tool for better understanding and documenting current events.
A full house convened at the Frontline Club on Wednesday 17 February for an audience with journalist Janine di Giovanni to mark the launch of her new book, The Morning They Came For Us: Dispatches from Syria. Di Giovanni, who first travelled to Syria in 2012, was joined by BBC HARDtalk presenter Stephen Sackur to discuss […]
By May Bulman Belgian journalist Rudi Vranckx joined an audience at the Frontline Club on Monday 1 February 2016 to discuss his documentary My Jihad, in which he explores how a small Belgian community is confronting extremism.
This screening will be followed by a Q&A with director Mani Benchelah.
Over the course of a year, Emmy Award-winning director Mani Benchelah made this intimate portrait of Syrian refugee children forced to flee from the violence of civil war to neighbouring Lebanon. It tells the stories of the children’s lives in their own words and captures the moving truth of how they deal with loss, hardship and dashed hopes.
By Thomas Colson A panel of freelance journalists and photographers joined an audience at the Frontline Club on Thursday 28 January 2016 to discuss the story behind a new exhibition of freelance war photography. Osie Greenway, Anne Alling, Benjamin Hiller and Jeffry Ruigendijk introduced photography and footage from their time in the Middle East – particularly Iraq, Syria and Lebanon […]
By Charlotte Beale United Nations Special Envoy for Global Education and former Prime Minister Gordon Brown joined chair of the Global Partnership for Education and former Australian Prime Minister Julia Gillard and the Overseas Development Institute’s Executive Director Kevin Watkins at the Frontline Club on 25 January 2016 to discuss Funding for Syrian Child Refugees, on […]
Gordon Brown, Julia Gillard and Kevin Watkins Discuss Funding Education for Child Refugees – in Pictures
Photographs by Tolly Robinson – Monday 25 January 2016 On a panel moderated by David Loyn, Gordon Brown, Julia Gillard and Kevin Watkins discussed funding education for Syrian child refugees.
In May 2012, Janine di Giovanni travelled to Syria, the trip would mark the beginning of a relationship with the country that would continue to draw her back, as the situation rapidly became one of the most brutal conflicts in recent history. She will be joining us, in conversation with BBC HARDtalk presenter Stephen Sackur, to share the stories of the people she has encountered in Syria and her experience of covering the country.
By Antonia Roupell A panel discussion focused on The Fight Against Daesh made for a timely first First Wednesday of the year at the Frontline Club. The packed event on 6 January was chaired by David Loyn, foreign correspondent for the BBC for over 30 years. The speakers included Richard Spencer, Middle East editor of The Daily and Sunday […]
Thursday 21 January 2016, 6:00 PM SALT Galata, Garanti Bankası, Bankalar Caddesi 11, Karaköy 34420, Istanbul Please email [email protected] to register to attend this event We are thrilled to announce our first Frontline Club event in Turkey on 21 January 2016, which will mark the start of regular screenings and discussions taking place in Istanbul as part […]
Since the Paris attacks on 13 November, world leaders have seemingly put grievances aside to unite in a newly energised fight against Daesh – but what can be achieved by bombing the already bombed-out cities of Syria? For the first First Wednesday of 2016 we will be bringing together a panel to discuss the diplomatic, logistical and ideological challenges of the fight against Daesh.
By Ayman Al-Juzi On Monday 26 October, renowned Egyptian writer, feminist and activist Nawal El Saadawi joined journalist Wendell Steavenson and a packed audience at the Frontline Club for a discussion that spanned the topics of linguistic philosophy, feminism and globalisation – all of which were explored in the context of El Saadawi‘s own life […]
This screening will be followed by a Q&A with director Andreas Koefoed.
This remarkably intimate and touching documentary focuses on one Danish Red Cross school for refugees, where classrooms are filled with children from more than twelve countries. The students have had to learn Danish while adjusting to new surroundings and, in some cases, dealing with the traumas of conflict.